Universal Language of Music, Transcends Cultural Boundaries- Béatrice Thiriet
The 29th IFFK witnessed a mesmerizing Aravindan Memorial Lecture by the illustrious French composer Béatrice Thiriet. Introduced by KSCA Secretary C. Ajoy, the session beautifully wove together the realms of music and cinema, highlighting their universal language.
Thiriet's lecture commenced with a poignant reflection on her experience with Aravindan's film Pokkuveyil. She marveled at the intricate layers of music that elevated the narrative, illustrating how music can reshape our perception of a story. Her admiration for Aravindan's work was palpable, as she elucidated on the universal language of music, transcending cultural boundaries.
With over three decades of composing experience, Thiriet delved into her collaborative process with directors. She emphasized the importance of tailoring music to each film's unique essence, rather than imposing a predetermined style. She also stressed the need for restraint in composition, lest the music overwhelm the narrative.
Thiriet's work, reminiscent of her collaborations with Indian filmmaker Anup Singh, was a testament to the power of music in bridging cultural divides. Her compositions for Qissa and The Song of Scorpions seamlessly merged disparate cultural influences, creating a rich tapestry of sound.
As Thiriet concluded her session, she eloquently described cinema as a dream and a journey, where each film transports us to a new realm. "In cinema, we are all dreamers," she said, reaffirming the transformative power of film and its music. Thiriet's lecture was a masterful exploration of the intersection of music and cinema, leaving an indelible mark on the audience.
