We are forced to cancel the screenings of some of the films to be screened at the 30th IFFK. This is due to the fact that these titles are yet to receive the censor exemption. Apologies for the inconvenience caused.
The following films are cancelled today.
Audi 1 - 3.00 P M - All that's Left of you
Audi 6 - 3.00 pm - The Hour of the Furnaces
Riverstone to be screened at Sree on 14 Dec at 8.15 pm is cancelled.
1936. As villages across Mandatory Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.
Meet the Director
“What you wear doesn’t define your sense of freedom. A person wearing a hijab can have more liberated thoughts than someone wearing jeans,” director and actor Tannishtha Chatterjee opined, stressing that clothing should never be used as a measure of personal freedom. She was speaking at the Meet the Director session held on 15 December 2025 at the IFFK.
She also emphasised that attire is shaped by cultural circumstances and habits, and should not become a yardstick to judge an individual’s mental or ideological freedom. Her film Full Plate, screened at the festival, strongly reflects these ideas. Chatterjee, whose work won the Marie Claire Visionary Director Award at the Busan International Film Festival, noted that the film engages with contemporary Indian political realities, where food, religion, caste, and class have increasingly become central to public discourse.
The session, moderated by filmmaker Balu Kiriyath, turned into a vibrant forum for filmmakers to exchange perspectives on cinema and socio-political themes. Several notable directors participated, sharing insights into their works.
Nipin Narayanan, Arun Varghese, and Adithya Baby discussed their psychological and experimental films, while Dr. Biju spoke about Papa Buka, Papua New Guinea’s Oscar entry. International voices also enriched the discussion, with Chilean filmmaker Pablo Larraín, Ecuadorian director Ana Cristina Barragán, and debut director Anuparna Roy sharing their experiences and creative journeys, reinforcing IFFK as a key platform for expressing identity and contemporary realities.
11:00 | December 14, 2025
Meet the Director
Uruguayan filmmaker Verónica Perrot González, director of Quemadura China, highlighted the importance of artistic individuality and confidence in filmmaking while speaking at the ‘Meet the Director’ session held at Tagore Theatre on the second day of the 30th IFFK.
“The foremost quality a good director must have is the courage to be oneself. That confidence helped me complete low-budget films beautifully,” Verónica said, emphasising that passion and self-belief are essential to overcoming the many challenges of cinema. Responding to a question on what it takes to become a good director, she remarked, “If we do anything with passion, we can overcome all its challenges.”
Visiting Kerala for the first time, Verónica had her film screened in the Latin American category of the festival on Saturday. She shared behind-the-scenes insights into Quemadura China while also reflecting on the fundamental lessons of direction. According to her, true satisfaction in cinema does not lie in following established paths but in forging one’s own creative journey.
Quemadura China centres on the lives of Siamese twin brothers who decide to undergo surgery to separate, and the complex situations that arise from this life-altering decision. The film delves deep into human conflicts and the emotional landscapes of the mind.
The session also featured acclaimed Malayalam director Jeo Baby, who spoke about his upcoming film Ebb. He noted that cinema is a medium to closely observe human conditions and evoke a natural sense of empathy. Discussing his film—which weaves together the trajectories of human lives through the emotion of love—Jeo Baby also shared insights, drawn from his own experiences, on how newcomers can find their way into the world of cinema.
Anirudh Lokkur, executive producer of the Kannada film Don’t Tell Mother, spoke about the project, which is directed by his brother Anoop Lokkur. Malayalam director Balu Kiriyath also participated in the session.
The discussion was moderated by Mira Sahib, and the session provided an engaging platform for filmmakers and audiences to exchange ideas on creativity, storytelling, and the evolving language of cinema.
11:00 | December 13, 2025
Open Forum
The first Open Forum of the 30th edition of the IFFK was inaugurated by eminent filmmaker Syed Mirza, marking the beginning of a series of critical discussions that bring together filmmakers, critics, and audiences. The Open Forum serves as an important platform for dialogue on contemporary cinematic practices and challenges.
The theme of the inaugural session was “Doors to Cinematic Freedom: New Environments and Challenges in Cinema”, and it was moderated by Nizam Assaf. The discussion focused on the evolving nature of cinema, democratic spaces within filmmaking, and the impact of emerging technologies.
The session was attended by Kelly Fiffe Marshall, winner of this year’s Spirit of Cinema Award, K Hariharan, Chairman of the FFSI Kerala Jury and noted filmmaker, and acclaimed director T V Chandran.
Speaking at the forum, T V Chandran observed that cinema is increasingly evolving as a democratic medium. He emphasized that democracy can flourish only when it is nurtured in the right environment, identifying primary education as the foundational “soil” for democratic growth in India and across the world.
The discussion also examined the influence of artificial intelligence and technological advancements on cinema. Addressing concerns about technology leading to creative stagnation, Syed Mirza pointed out that similar apprehensions existed during earlier transitions in cinema—such as the introduction of sound, colour, and computers. He expressed confidence that artificial intelligence, like previous technological innovations, would contribute positively to the growth and evolution of cinema. Kerala State Chalachitra Academy Secretary C. Ajoy was also present at the session.
05:00 | December 13, 2025